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These two beautiful landscapes are attributable to Paolo Anesi, an important Roman landscapist, the clues we can read from the themes and stylistic conditions are related to those of the two paintings "Paesaggi Fantasiosi" that belong to a Roman private Collection, published by Andrea Busiri Vici in his essay ( Trittico Paesistico Romano del '700. Paolo Anesi - Paolo Monaldi - Alessio De Marchis), and also in many other works of the artist in which Anesi places his typical figures, slim and slender in wooden landscapes, with soaring trees that reinterpret the pattern of the roman country side with the typical grace of the Arcadia, that translates into modern language the tradition of landscape initiated, at the end of the 16th century, by Annibale Carracci in the Aldobrandini lunette, and continued, in the 17th century, by artists such as Nicolas Poussin, Claude Lorrain e Gaspard Doughet. He was a pupil, with Andrea Locatelli, of the marine painter Bernardino Fergione, but influenced mainly by Jan Frans van Bloemen named Orizzonte, and friend of Adrien Manglard. Paolo Anesi worked on commission for Roman Nobility, for Principe Massimo, Cardinale Ruspoli, Cardinale Valenti, and Cardinale Alessandro Albani, for whom he decorated and frescoed Villa Albani , now named Torlonia, maybe his most important achievement. At times he worked in collaboration with famous figure painters as Giovanni Paolo Pannini, Pompeo Battoni and Giuseppe Monaldi; in this case, the pair of paintings "Landscapes", with the elegant figures that animate the scene were painted by Anesi, with excellent results. |

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